Botany Bay

As the First Fleet prepared to sail to the other side of the world to found a ‘thief’ colony in New Holland, a remarkable show was being staged at the Royal Circus, London.

The favourite opera,

Botany Bay

Advertisement for the opera, Botany Bay 9 May 1787

Advertisement for the favourite opera of Botany Bay.
World and Fashionable Advertiser (London, England),
Wednesday, May 9, 1787; Issue 111.

This theatrical creation provided a  imaginative portrayal of the approaching voyage and settlement of  approximately 700 convicts who were awaiting transportation.  Little is known about the opera apart from the newspapers advertisements and several brief reviews:

The Botany Bay petite piece was interesting, and the characters well supported…      10 April 1787. [1]

The opera of Botany Bay is partly moral and party comic, on the whole a good thing…   14 April 1787. [2]

The little opera, Botany Bay, may be alright for the holiday people [during Witsun week], its passable for the Circus but not plot enough for the Royal Theatre.   June 1, 1787. [3]

At the time the theatre was an important way for the public to learn about current affairs.  Apart from newspapers and broadsides, there were few ways to hear about the news, consequently the “theatre incorporated the news report, the documentary, the annual review of the year’s events, the travelogue, popular science and popular history…”[4].  Portrayals of events on the stage gave audiences a way to visual the people, locations, and activities taking place.

There were only two licensed theatres in London, and while these presented serious plays, a variety of other venues provided more light-hearted performances featuring music, song, and dance.  The Royal Circus was such a venue.  Opened in 1782 by the actor and composer, Charles Dibden, and  Charles Hughes, a well-known equestrian performer,  it had been renovated  “to render it the most complete and elegant of any summer theatre in this kingdom”[5] for the season of 1787.

The Royal Circus underwent "a thorough repair" in readiness for the 1787 summer season, "rendering it the most complete and elegant of any summer theatre in the kingdom."

The Royal Circus underwent “a thorough repair” in readiness for the 1787 summer season, “rendering it the MOST COMPLEAT and ELEGANT of any SUMMER THEATRE in the kingdom.” [5]

The opera of Botany Bay premiered on the theatre’s opening night of 9 April and benefited from the “new Lights and Chandeliers” which gave the Circus “a Brilliancy and Pre-eminence over all other Places of Public Entertainment.”  It was staged approximately twenty-two times through April and May 1787,  and although it did not occupy more than two lines in the advertisements, it continued to be billed as a “favourite” piece and remained on the programme until the First Fleet departed on May 13th.   The continuation of the opera over two months indicates that it enjoyed a reasonable degree of success, particularly as unpopular shows could be removed from the bill after just one or two performances.  Another sign of its popularity comes from its inclusion in two benefit nights in August, one for the actor Mr Taylor on Thursday 2nd , and another for Mr West on Wednesday 15th .

The list of dancers who performed at the Royal Circus on the opening night of Botany Bay.
Dancing was a key element in the theatre and many plays included dances which were later published, allowing everyone the opportunity to enjoy the latest fashions. [5]

Details of performances at the Royal Circus were not generally documented, however, one aspect of the opera was captured —the music and dance.  In the autumn of 1787, Thomas Skillern of London published Twenty Four Country Dances for the Year 1788.   As was common at the time, current affairs where represented not only in the theatre, but in the  popular social dances of the day.  Skillern’s collection of English country dances included the music and instructions for Botany Bay, as well as several other items which may have been associated with the Opera:  Master Jemmy’s Rant, Left-Handed Jemmy, The Mail Coach, Search Night  and Time Barnes’s Wig [6] .

Botany Bay from Twenty Four Country Dances for the Year 1788, Thomas Skillern, London.
Courtesy of Kate Van Winkle Keller

The tune and dance are historically significant as the first compositions directly related to the English settlement in Australia.  This fascinating story can now be brought to life with music and dance.

Recording from our CD – Captain Cook’s Country Dance: 19 dances from the early colony

 

Twenty Four Country Dances for the Year 1788. T. Skillern, London.

Arr. Roland Clarke Download the pdf

Country dance: longways duple minor

A1 1-8 1st couple lead down the middle,
5-6 1st couple lead back to the top,
7-8 1st couple cast into second place WHILE
2nd couple move up.
A2 1-4 2nd couple lead down the middle,
5-6 2nd couple lead back to the top,
7-8 2nd couple cast into second place WHILE
1st couple move up.
B1 1-4 Circle left,
5-8 Circle right.
B2 1 1st couple cross by the right shoulder,
2-4 1st couple cast off one place and cross by the left shoulder, end facing up, WHILE
2nd couple move up to first place, end facing down.
B2 5-8 Four changes of a circular hey.  Start by passing right shoulders on the side with neighbour.

In August 1786, the Secretary of the Home Office, Lord Sydney, announced that on instruction from His Majesty, it had been decided that Botany Bay was a most suitable place to receive transported convicts. Prisons were overcrowded and a solution was urgently required. The loss of the American colonies in the War of Independence meant Britain could no longer dispense with surplus criminals as had been the case for much of the eighteenth century, and a new “dumping ground” was anxiously sought.

The plan to send convicts to Botany Bay was based on the evidence of Sir Joseph Banks, the botanist who accompanied Lieutenant Cook there in 1770. Banks was immensely influential and suggested the site as ideal for a “thief colony” – so distant as to remove the possibility of escape yet sufficiently fertile to become self supporting within a year.

Little was known about the destination, even the London Press was vague, informing readers it was situated on the west side of the island of New Holland in the Indian Ocean. Despite criticism of the plan being absurd and impractical, the First Fleet arrived in Botany Bay in January, 1788.

Convicts embarking for Botany Bay. Thomas Rowlandson (1800).
Courtesy National Library of Australia.[7]

The date on which the decision to form a colony in New South Wales was taken is not known, but The Times of July 26 1786 reported: Yesterday a meeting of Ministers of State was held at Mr Pitt’s house. Lord Sydney, the Marquis of Carmarthen and Lord Howe came to town for the occasion.

“It is difficult to believe that they “came to town” in mid-summer for unimportant business, and it was shortly after this that Lord Sydney took the action which launched the colony. On May 13 1787 the First Fleet slipped anchor in Spithead, bound for Botany Bay and the other side of the world.” [8]

The whimsical idea of founding a settlement of convicts on the other side of the world prompted many humorous street ballads, an opera and this dance.

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[1] World and Fashionable Advertiser (London, England), Tuesday, April 10, 1787; Issue 86.

[2] Gazetteer and New Daily Advertiser (London, England), Saturday, April 14, 1787; Issue 18204

[3] World and Fashionable Advertiser (London, England), Friday, June 1, 1787; Issue 131.

[4]  Fotheringham, R., & Turner, A. (2006). Australian plays for the colonial stage : 1834-1899 (Academy ed.). St. Lucia, Qld: University of Queensland Press.

[5] Advertisements and Notices. (1787, April 9). World. Retrieved from https://link.gale.com/apps/doc/Z2001548867/GDCS?u=bccl&sid=GDCS&xid=a292cd1b

[6] Keller, R. M. (2006). Dance Figures Index: English Country Dances, 1650-1833. from The Colonial Music Institute https://www.cdss.org/elibrary/DFIE/Index.htm

[7] National Library of Australia. Picture: Convicts embarking for Botany Bay. T. Rowlandson.  Rex Nan Kivell Collection NK228. http://trove.nla.gov.au/version/15929351

[8] Australia’s Heritage. The Making of a Nation. Volume I. Lansdown Press Sydney 1988.

Sources

Gale Historical Newspapers https://www.gale.com/intl/primary-sources/historical-newspapers

World and Fashionable Advertiser (London, England), Issues 84-99, 107, 102, 103, 108, 111, 113, 131, 182
Public Advertiser (London, England), Monday, April 1787; Issues 16512, 16513, 16513. Times (London, England) April 24, 1787.
World and Fashionable Advertiser (London, England), Tuesday, April 10, 1787; Issue 86.
Gazetteer and New Daily Advertiser (London, England), Saturday, April 14, 1787; Issue 18204.
World and Fashionable Advertiser (London, England), Friday, June 1, 1787; Issue 131.
World and Fashionable Advertiser (London, England), Thursday, August 2, 1787; Issue 182.
World and Fashionable Advertiser (London, England), Wednesday, August 15, 1787; Issue 193.

 

Select Bibliography

Frost, A. (2012). Botany Bay: the real story (Vol. 2nd). Collingwood, Vic: Black.Keller,

Hanna, C. (1985). ‘A bit of cackle’: Australia’s beginnings in English drama. Australasian Drama Studies, 3 (2). http://search.proquest.com/docview/1300396580/

King, Jonathan. The First Settlement. The convict village that founded Australia 1788-1790. The Macmillan Company of Australia Pty Ltd, Sydney 1984.

Phillip, Arthur. The Voyage of Governor Phillip to Botany Bay. Hutchinson of Australia, Vic. Facsimile edition 1982.

MacDougal, A.K. An Anthology of Classic Australian Folklore. Five Mile Press, Victoria, 1994.

 

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This resource was created on the lands of the Gubbi Gubbi people.
We pay our respects to their elders past and present.
Sovereignty was never ceded.

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Header credits:
1. Portrait of Captain Cook by Nathaniel Dance-Holland [Public domain] 2. A jig on board by Cruikshank. Courtesy of The Lewis Walpole Library, Yale University
3. View of the South Seas by John Cleveley the Younger [Public domain]

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The information on this website www.colonialdance.com.au may be copied for personal use only, and must be acknowledged as from this website. It may not be reproduced for publication without prior permission from Dr Heather Blasdale Clarke.

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5 Responses to Botany Bay

  1. John CARMODY says:

    Do you know the composer of “Botany Bay”?

    • Heather says:

      Collections of dances generally gave no credit to the people who devised the dances or composed the music. However, we may be able to discover who was the composer in residence at the Royal Circus Theatre at the time. We are currently working on another production New South Wales, or Love in Botany Bay which was performed in 1799. The composer for this play was James Saunderson who took over the role of composer and musical director at the Royal Theatre in 1793.

    • Mark St Leon says:

      The composer of Botany Bay was, in all probability, Charles Dibdin, one of the proprietors of the “Royal Circus and Philharmonic Academy” (to give the full name of this London institution). By the way, a similar reference is made in Vol 1 of C.M.H. Clark’s History of Australia where he cites o London newspaper of the day but I have not been able to independently substantiate the reference.

      Mark St Leon

      • Heather says:

        Studying the British newspapers of 1787 has revealed much more information about the Botany Bay opera.
        I’ve updated the page today, 7th November,2013. Thank you for the data regarding Charles Dibdin – he was certainly a very influential figure at the time.

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